Meal and Real

Recognized classic of American cinema, screenwriter and director Billy Wilder simply cannot help but touch on trading of the American media system. Inviting the gorgeous Kirk Douglas and creating another striking, unique picture of the imposing correspondent, Wilder is filming a grandiose, emotional, ironic and very pressing film performance.

The selfish unscrupulousness on the modern American press appears available as a collective image of an accurate master download from fmovies the pen, trying to realize his irrepressible ambitions, who’s devoted his life to the search for unique material. With sparkling eyes and with out a shadow of doubt, he fearlessly walks in the dilapidated mine, to be the first to have a date with the one who can’win’him the Pulitzer Prize — while using the unfortunate miner, imprisoned by the will of fate in a very cramped opening regarding the fallen stones.

Taking control of the matter, subjugating the flow of real information, turning the reportage right into a national tragedy — for a really person nothing is impossible on the subject of the goal of his life. As if the ancient prophet, he broadcasts on the recorder the truth that her own vanity demands of him.

Like bees flocking to sugar syrup, a crowd of afflicted people strives to reach an exceptional attraction. Theater, baseball, cinema — no! Your struggle for life is an ideal show using an unpredictable ending. Present day collision, that has opened its arena in the center of prosperous America, is for many people a local store from an ordinary, routine existence. Carousels, stalls with hot dogs, sun loungers against the backdrop of rescue equipment — the human being drama inevitably develops right into a booth

Delicately mocking the competition, Billy Wilder usually plunge the common American into his personal ignorance, simultaneously explaining to him the basic truths with the monstrosity of these an attitude to human tragedy, reproaching him for idle curiosity, passive compassion, and predictable reactions to the clever and timely steps of the vain correspondent.

With regards to the center of events, the hero of Kirk Douglas unwittingly involves himself inside the most difficult confrontation — confrontation with himself. The invisible scales of conscience, once frozen at the condition of pathological egocentrism that outweighed decency, begin to slowly hesitate when legitimate the bitter fate of a genuine worker, together with his ungrateful passion, with a type, naive old man, father and unhappy mother. Sooner or later, he is unable to cope with all the sincere compassion which has awakened in him. And even more importantly, as to the for that long and persistently led his hero Billy Wilder, that has been obvious from the particular beginning — he has to understand into what insignificance he turned himself over these long years, that no power and funds can be placed above human life.

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